Satu-Minna Suorajärvi:
Bleaching

The skull has long been a permanent symbol in art, representing death. For me, the metaphor for the death of marine species due to an environmental catastrophe is coral that has lost its colour. For the Bleaching exhibition at Gallery Katariina, I have used 3D-printed porcelain as the medium for my works. Its translucent white colour evokes the lifeless seabed, reflecting the stark reality of coral bleaching. 

3D-printed coral structures are being used to create habitats for coral species, helping to restore damaged reefs. An artificial, 3D-printed coral reef has the potential to prevent species extinction while we work toward correcting climate change. In my creative process, I have applied growth algorithms that mimic organic forms—algorithms that are widely used in design, architecture, and urban planning. For instance, coral ecosystems are excellent at efficiently allocating resources for growth, ensuring that each organism receives the nutrients it needs. We could certainly learn from these natural systems and apply similar principles to more equitably distribute the Earth's finite resources.  

3D modeling enables the creation of a new design language while working with ancient materials. Clay, in particular, is a highly suitable medium for 3D printing. As a renewable resource, clay can be sustainably sourced from the Earth's crust without depleting non-renewable materials. Unlike synthetic substances, clay is biodegradable, recyclable, and causes minimal environmental harm when disposed of responsibly. 

Satu-Minna Suorajärvi is a sculptor based in Helsinki. She primarily uses 3D modeling and digital fabrication techniques, such as 3D printing and laser cutting, in her artwork. Her physical sculptures and public installations are born from a desire to merge digital technologies with the age-old traditions of sculpture.